Bottom the weaver
from William Shakespeare's Play A Midsummer Night's Dream


Dream, that nothing that is so powerfully something, may be mocked and belittled—throughout A Midsummer Night's Dream it often is—but it strikes back at those who mock it. Lysander defines true love as ‘short as any dream’ (1.1.144) but the play will make the true love of Lysander and Hermia endure much longer than a night of adventures in the wood. Hippolyta reassures Theseus that ‘Four nights will quickly dream away the time’ (I.i.8) before their wedding but the time will be dream in senses other and far richer than her lines suggest. Oberon may say of the lovers, ‘When they next wake, all this derision / Shall seem a dream and fruitless vision’ (3.2.370-1); yet his next line suggests that this dream is not a fruitless vision at all, since the result will be that ‘back to Athens shall the lovers wend / With league whose date till death shall never end’ (ll. 372-3); exactly the same contrast between the supposed empty brevity of the nothing of the dream and the enduring consequences that hover over Lysander's ‘short as any dream’. Viewed in this light, Oberon's line suggests a different emphasis: it is not that the derision is a dream, but that it should seem so.

[...] Oberon's line has combined dream and vision. If the lovers may find the experience a ‘fruitless vision’, for Bottom it was ‘a most rare vision’ (4.1.202). Even Robin advises the audience that it has seen ‘visions’ (5.1.417). The audience can choose to take them as trivial, ‘No more yielding than a dream’ (5.1.419), but, if we have responded to the play fully, we will share with Bottom the sense of vision, of something revealed from out there, from the world of fairy, not the false or trivial world of dream but a revelation of another reality. The obligation on the audience is to treat the play as a benevolent oneiros, a true prophetic dream. This dream is an attempt to resolve the great puzzle of dream-theory, the source of dreams, for this dream is not the product of the dreamer's imagination or the reformulation of the experiences of the day but a phenomenon generated by extra- human forces. Such dreams matter greatly.

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From Peter Holland's introduction to his edition of MND in the "Oxford World's Classics" series (OUP, 1998)

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